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2. During the 1980’s, Japanese collectors were very active in the market for European art, especially as purchasers of nineteenth-century Impressionist paintings. This striking pattern surely reflects a specific preference on the part of many Japanese collectors for certain aesthetic attributes they found in nineteenth-century Impressionist paintings.
Which one of the following, if true, most strongly supports the explanation above?
A. Impressionist paintings first became popular among art collectors in Europe at the beginning of the twentieth century.
B. During the 1980’s, the Japanese economy underwent a sustained expansion that was unprecedented in the country’s recent history.
C. Several nineteenth-century Impressionist painters adopted certain techniques and visual effects found in Japanese prints that are highly esteemed in Japan.
D. During the 1960s and the 1970s, the prices of nineteenth-century Impressionist paintings often exceeded the prices of paintings by older European masters.
E. During the 1980’s, collectors from Japan and around the world purchased many paintings and prints by well-known twentieth-century Japanese artists.
答案:C
思路:
A. 无关
B. 无关
C. 作者先提出一个事实,然后指这个事实说明了日本收藏家对19世纪印象派画家的一些审美特性有着特别的偏爱。C直接举证说明原因:这是因为19世纪印象派画家使用了一些在日本备受推崇的技术和视觉效果。(Several nineteenth-century Impressionist painters adopted certain techniques and visual effects found in Japanese prints that are highly esteemed in Japan.)
D. 无关项, many Japanese collectors for certain aesthetic attributes 和D中的price没有任何关系
E. 无关 |
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