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35.(文有点长)某个巴基斯坦文学作品,有人认为它只有历史价值,因为描述了1930(好像是)时的社会。但是它的文学价值也不容忽视。
它以一个家庭为内容描述了政治对个人的影响,但是又没有任何政治偏见(这段意思不准确)
它同时使用了两种描述方式,一个是传统的印度式故事套故事,一个是线性结构
发现它和某英国女人的作品风格很像,但是这到底是因为英国女人的影响呢,还是因为他们所处的环境相似呢,这个我们目前还不清楚
题目就记得一个,考点是最后一段,就是选“无法确定英国女人和这个文学作品是不是独立的”
考古
第十四篇:印度一个女人写小说,长四段
版本1
第一段说她写的这个小说,评论家有兴趣,是因为它反映了当时巴基斯坦建国时候的状况,反映了……,大概三四个内容。其实这个小说还有一些需要被充分研究的,就是他的文学价值。
第二段说什么忘记了。
第三段说这个小说描写一个家庭,这个家庭成员好像有不同的政治立场……之类的
有一段说这个小说用到的两个方法。一个是……另一个是……
最后一段比较这个小说和英国作家博朗特之类的作品……说这个小说到底是受了英国作家的影响还是没有……这是一个moot (未经判定的)的情况
版本2
一部作品,Anagan(好像叫这个名字),是一位女作家的著名作品。人们一般都会从政治角度去看它,但是author认为它的literature的意义更大。Anagan, setting in India during the World War Two, describes two political circumstances of that time。有具体讲这两个circumstance,不过重点在于,它所描述的政治都只是为它的故事做背景,它的作者并没有偏向哪一方、没有明显政治目的。然后,author具体讲Anagan这部作品的文学意义。author认为这部作品的作者从一个带有anger的女子的角度出发来叙述她身边的人和事情,从而透露出那个时代的特点之类的。而且,作品的narrative手法独特(注意作者是怎样运用narrative来描写作品的)。最后一段,把这部作品的作者和Emily Bronte她们这些著名的女权作家比较。到底是这些女作家影响了anagan这部作品的作家而写出了跟《简爱》类似的作品、还是她们的作品只是一个巧合,这是一个modest question值得探讨的
版本3
一个印度女作家的小说, 评论她的小说的写作风格。说它不仅有以前说的政治意义, 也有文学上的成就
one pakistani writer , ahe was well respected in india , and in britain and in USA , for her work in social and lireture , her litreture focus on women issues in pakistan , it used lot of "urdu " words , like " tayawaf " ( a dance girl ), and other complicated urdu word in italics , were usd there along with english meanings
questions
1. primary purpose -
2. situational question from second para ( it was a 65 liner passage )
3. reg passage orientation
4. inference from one of her books
1.What do the author think about the politics setting in Anagan?
2.What do the author think about the narration used in Anagan?
3.Which of the following is similar to the Anagan? (这里问的就是从什么角度去描述故事的,注意描述人 的心情-原文中是带有anger的女子)
版本4
基本都是作者对以下的看法哪个赞同?小说的作者主要观点是?只有第一题,问你小说中写到了family有什么作用。我选了从family反应当时的社会大背景。不知道对了没有。其他4题,全部放弃,彻底乱选。
问文中黄体单词subvert的意思。应该在第三段好像。我选的选项大致意思是说,采用了老方法,但是没有in the traditional way。大家可以查查subvert这个单词的意思,再结合上下文选择。我估计我选错了。提醒大家的是,subvert在文中是和一个appropriate并列的,句子的开头是:阿三女人appropriates and subverts ……所以大家结合appropriate的意思也考虑一下吧。
版本5)
P1: 对一部作品Anagan(一印巴女作家的著名作品)的pointed的观点是从政治角度考虑。但是,作者认为仅仅从政治方面看这部作品是不对的,它的literature的意义也很重大。
P2: 讨论了该作品的背景和内容,Set in British India and moving in to post independence Pakistan, Aangan is the story of dystopic home where the battles of the world are played out…它所描述的政治都只是为它的故事做背景,它的作者并没有偏向哪一方、没有明显政治目的。
P3: 讨论了该女作家的写法:说女作家appropriates and subverts采用了两种写作手法,一种是traditional的写法,还有种是narrative的独特手法。作者从一个带有anger的女子的角度出发来叙述她身边的人和事情,从而透露出那个时代的特点之类
P4: 这部作品的作者和Emily Bronte她们这些著名的女权作家比较。到底是这些女作家影响了anagan这部作品的作家而写出了跟《简爱》类似的作品、还是她们的作品只是一个巧合,这是一个moot question.
题目总结: 题目集中在前三段
问了一个subvert的含义:推翻,颠覆,改变.Appropriate有占据,占有的意思
问infer了作者对该女作家的何种态度:author认为这部作品的作者从一个带有anger的女子的角度出发来叙述她身边的人和事情,从而透露出那个时代的特点之类的。
问infer了作者对该作品的何种看法: 作者认为仅仅从政治方面看这部作品是不对的,它的literature的意义也很重大
还有一题好像也infer大概是问写作手法 :采用了两种写作手法,一种是traditional的写法,还有种是narrative的独特手法。
基本都是作者对以下的看法哪个赞同?
小说的作者主要观点是?
只有第一题,问你小说中写到了family有什么作用。我选了从family反应当时的社会大背景。
印度女作家的那本书的背景
Inner Courtyard (Aangan) : A Novel/Khadija Mastur. Translated by Neelam Hussain. New Delhi, Kali for Women, 2001, 274 p., ISBN 81-86706-45-8.
Book Description
"Narrated in the intimate anger of a young woman’s journal-keeping voice this novel explores the politics of sex and class through the lives of women compelled to live their lives in the seclusion of the inner courtyard or aangan. Set in thirties India, Inner Courtyard is the story of a dystopic home where the battles of the world are played out. Based on the interiority of women’s lives it explores realpolitik through the personal and political affiliations of one family." (jacket)
About the AuthorKhadija Mastur (1927-1982) was a member of the Progressive Writers' Association, formed by a group of left-leaning intellectuals in 1935. She wrote several collections of short stories and two novels. Khadija Mastur was born in 1927 in Lucknow and grew up in a family that valued learning, reading and political dialogue. Mastur and her younger sister Hajira Masroor, worked actively for the Muslim League in 1946, and a year later, when Partition came along, her family migrated to Lahore, Pakistan. Khadija Mastur wrote in a simple but eloquent style. She the author of several collections of short stories and two novels, Aangan (The Courtyard) and Zamin (Earth). She was posthumously honored with the Baba-e-Urdu, Dr. Abdul Haq Award for her collection of short stories Thanda Meetha Pani (Cold, Sweet Water).
Inner Courtyard or Aangan, Khadija Mastur’s first published novel, written in 1952 over eight months, is Mastur’s best loved and most acclaimed fiction. Set in British India and moving in to post independence Pakistan, Aangan is the story of dystopic home where the battles of the world are played out. Based on the of women’s lives, the inner courtyard, it explores realpolitick through the diverse political affiliations of the members of one family. That it does so without espousing (支持,赞成)any one shade of opinion makes Aangan a politically sensitive and not a political novel (即提出了很多政治因素,观点,但是作者的态度是很中立的,没有评价和表态这些观点). Khadija Mastur deals with the theme of the Freedom Movement, not from the perspective of men but from the point of view of the women whose lives were changed radically by the decisions made by men in the public arena. It is a powerful novel built around female protagonists (主角)and the ways in which they mediate their space in society while condemned to the enclosed world of the inner courtyard, enmeshed in (使陷入)and sustained by strong familial ties and age-old customs.
作者原话:嗯,女作家那个考古版本三和我的出入比较大(原文和题目都不一样),其他都一样 |
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