OG12-102麻烦解释下

Nickyl90

102.  Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx’s comic style was very much within the comic acting tradition that had begun in sixteenth-century
Italy.
The considerations given best serve as part of an
argument that

(A)    modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play
(B)    Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C)    in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy
(D)    the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim
(E)    the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx


key d

sayysong

文章的内容就说一个导演声称自己的XX舞台剧在现在这个年代，尽到了最大的努力还原之

前18世纪的生活，然而，舞台剧的一个小丑演员的表演动作这些又是模仿一个20世纪的美国

喜剧演员，但是这个美国喜剧演员的那些搞笑动作又大部分来自于16世纪的意大利，问下面

那个能最支持导演的言论。
你看A，完全毫无关系，文中完全没提观众。
B，那美国喜剧演员以前在这个舞台剧演没演过跟导演的言论没多大的关系哦。
C，讲的是在20世纪美国训练演员的原则月18世纪意大利训练演员的原则没有什么根本的区

别。这个文中也没提到过训练演员的问题，原则没变也不能证明什么。
D。就说的是舞台剧的那个小丑演员的表演没有成为一个反对导演声称的证据。也就是说，

小丑的表演实际上支持了导演的言论。
E。说的是导演建议这个演员去模仿那个美国的喜剧演员。这个也不能成为支持导演的言论

的证据。
因此，最后选择D

Nickyl90

解释的很好 谢谢