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[求助]OG 12 CR 102

102. Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The
director claims that this production is as similar to the original production as is possible in a modern theater.
Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century
American comedian Groucho Marx, Marx’s comic style was very much within the comic acting tradition that had
begun in sixteenth-century Italy.

The considerations given best serve as part of an argument that
(A) modern audiences would fi nd it hard to tolerate certain characteristics of a historically accurate
performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ
radically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the
director’s claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on
comic performances of Groucho Marx
答案选D,题目不是很能理解,请NN们帮忙翻译一下,谢谢^_^
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LF这部剧写于18世纪。目前在现代剧院上演,导演说,这部剧尽可能的保持了与原创相一致(虽然是现代上演),尽管演H的这个演员让人想起了20世纪的演员Marx。(言下之意,可能weaken保持最开始的风格的这个claim)
紧接着,题干解释,Marx的风格是从于一种自16世纪就开始的意大利喜剧传统的。(言下之意,虽然Marx人是20世纪的,但风格是传统的,所以化解了上面的可能的weaken)


题干的意思  明白了吧~

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谢谢,您解释的很到位,只是做题时有点迷惑,LF是18世纪的作品,Marx的风格是16世纪的,感觉不太吻合。
您怎么理解?

TOP

这只是一个简单的时间先后的问题,两者都是意大利的,18世纪的作品和16世纪的风格不矛盾而是一脉相承的。

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